Anouk Kruithof / The significance of colour
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The Daily Exhaustion, 2010 |
以下為擷取兩段我喜歡的訪談:
DD: Your playful use of timing, colour and format brings a real energy to your photographic portfolio. How did your visual language develop?
Anouk Kruithof: My personal aesthetics and the use of colour in my work is very intuitive, I like to order colours till they get too perfect and I immediately need to destroy the order again... When I use one colour in a work, as in 'Becoming Blue', 2006-2009, I use the colour for its meaning, combining the art historical and the psychological meanings in the work.
DD: How do you feel your photographic work and practice relates to contemporary fashion image-making?
Anouk Kruithof: My aesthetics, my use of colour and maybe also the performative way I work with encounters relates to some more autonomous fashion photography, Of course when you involve pieces of garment, clothing, the context is different, maybe also the power of the images or maybe not, that is something to try out for sure.Becoming Blue, 2008



Anouk Kruithof出生於1981年Dordrecht,Netherlands,現在Berlin生活工作。在過去的6年裡,她研究的媒介局限於攝影,但這並不代表它成為一個定義的攝影師。攝影為她的主要手法或手段,從2008年她開始運用一些裝置video和動作表演,以探討展現這些media藝術形式的邊界。在一次的訪談(another mag)上她表示,雖然她有一個攝影背景,攝影確實為重要的媒介,但她常常不滿意作品只是一張照片的形式,這也是為什麼作品的照片跳脫為傳統目的的本身,而成為一個起點,後來轉變成雕塑作品,壁紙,海報,裝置,書籍或牆上傳單的複製品。
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HAPPY BIRTHDAY TO YOU |
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The color of these cover-up sheets represent the favorite color of the person. |
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"The Daily Exhaustion"是一個小型報紙刊物,包含了23組Kruithof達到了汗流浹背筋疲力盡的情緒狀態下的自拍。當你瀏覽時,您將看到一個循序漸進的彩色光譜,就彷彿為有層次的能量。靈感來源可參考ozon meg 訪談 Enclosed content chatting away in the colour invisibility, 2009 (怎麼會取這麼有詩意的名字啊)以下是書籍反覆掉落與復原的錄像 |
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